Romantic clothes identical with romantic florals, soft colors, and sweet impression. This romantic image is not only limited in contemporary fashion, but also penetrated the Muslim fashion.
See all collections issued by Fenny Mustafa, Jenny Tjahyawati, and Anne Rufaidah. All three seem to give a romantic impression, despite the different languages. Fenny Mustafa described the romantic side of the feminine form through dihadirkannya and ribbon pleated detail. Although Fenny not use colors that represent romance, the sweet is still visible.
“Any solid color can be seen romantic,” said the owner of fashion house this Shafira Grosir Baju Anak and Busana Muslim .
The Jeny Tjahyawati describes romanticism through pastel palette. Pink, purple, and maroon sweet chime in ethnic breath. Like previous collections, Jeny poured through the formation gamis inspiration, tunic, and baggy blouse vest plus a sweetener.
Model mix & match was still a mainstay of this bespectacled designers to enrich the variety collection. For example, when present varied tunic with accents on the chest and arms. That, said Jeny, intended to avoid the impression of weight and overlapping.
In this design, Jeny not so much show variations on it presents a variety koleksinya.Dia accents and details on outer clothing. While the equivalent of the materials it is made plain with a simple design lines. The reason it also makes much use of asymmetric cuts on the outside. As in the long tunics and their alloys pipe trousers.
Uniquely again, Jeny presents formation typical arm Japanese kimono, widened at the end. Not only concentrate on the outer garment, sometimes, the end of the trousers were so focused Jeny for the laying of an accent. By making it narrower in the heel, the designs became more and more menarik.Terlebih the addition of wrinkles that form draperi, sweet and action.
Overall, the collection was impressed besutan Jeny luxury style made even coherent, dynamic match. That, said Jeny, deliberately designed to meet the demand for a formal dress but not excessive.
“I put forward practical elements, so it looks elegant but easy to use,” he explained.
Another romance offered by Anne Rufaidah, he presents a palette of soft and smooth material in the simple cutting and hanging the fabric composition. Yes, in the middle of the Muslim fashion trends full embroidery, sequins and lace, she just broke by presenting simple collection. Designer collections from Jakarta is visible light, floating, practical, yet stylish. It was, she made because she was bored with the stagnation of the Muslim fashion designs that tend to it-that’s all.
“If the trend sequins, all made sequins. Then, if the embroidery is in, all working on embroidery,” she complained.
For that, she gave a new approach. The design is deliberately presented minimal detail. As an accent, the woman who joined the Employers Association of Indonesian Fashion Designers (APPMI) is sufficient to use patching applications carved in gold tone. Sweet and elegant. So is the color selection. She does not look flashy with exciting color line.
Instead, he chose a palette of soft pastels, distant reinforced feminine scent. White, pink, salmon, and beige floating beautiful. More subtle light material supporting the display. No longer relying on silk and satin, she uses chiffon, tulle, and Organdi. Not for no particular reason she chose the materials used.
“Because the light and practical,” he said briefly.
Anne being careful enough in selecting materials. Purpose is to make a cover private parts, the design can function correctly. Not tight, silhouetted against the body, or translucent. The design looks elegant even though the simple model.
“My design is more emphasis on functions without reducing the aspects of beauty,” said Winner Femina Fashion Designer Contest is 1991.
Formation dihadirkannya clothing to be seen simpel. Not layered, like a typical Muslim fashion for so long. This is certainly a new alternative for the urban Muslim who wants to look romantic, but it remains simple and without having to use a variety of additional ornaments

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